16.787 file audio bebas royalti untuk "Old Music"

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:39, 21 January 2017 (UTC)) styczeń 2017.

The victorian child ballad Black Jack David (ballad no.200), performed by Warren Smith

Entry of Polymnie from les Boreades

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Ave Maria performed by Alessandro Moreschi, the last of castratiAve María cantada por Alessandro Moreschi, el último castratoItaliano: Ave Maria cantata da Alessandro Moreshi, l'ultimo dei castrati

Se Zhenih grjadet (The Bridegroom is coming)

Jenny Lind polka. Forms part of a group of field materials documenting John Selleck performing Anglo-American music on the fiddle on October 2, 1939, collected by Sidney Robertson Cowell in Camino, California.

King of Heaven Znamenny chant. "Царю небесный" знаменный распев.

Scarlatti Sonasta K319, bars 62-80

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

The traditional country song New Mexico, performed by Johnny Cash

Way Down Yonder In New Orleans, played by the Dixieland Jazz Band ensemble of the U.S. Coast Guard Band for the album "U.S. Coast Guard Bicentennial, 1790–1990".

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the United States Navy Band. Track 8 from Celebrations (2001).

The Phil Harris Orchestra performing "The Vamp"

From Die Walküre by Richard Wagner; Wotan performed by bass-baritone Walter Soomer, Berlin 1913

From act 3 of Die Walküre by Richard Wagner; Wotan is sung by Walter Soomer, Berlin 1913

Kanon Gottes Wort ist wie Licht in der Nacht; Gotteslob (2013) 450

Music piece by Camille Allam: Beirut Synths-Organ Morceau Musical par Camille Allam intitule: Beyrouth Synth-Orgue

From Bach "St Anne" Prelude for Organ, BWV552, bars 118-130

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

John Philip Sousa's Suite from The American Maid: "With Pleasure-Dance Hilarious" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

Symphony no. 4 in b-flat major, op. 60 - iii. allegro vivace

John Philip Sousa's Suite from The American Maid: "You Do Not Need a Doctor" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

Enrico Caruso und Nellie Melba singen das Duett "O soave fanciulla" aus Giacomo Puccinis Oper La Bohème. Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039.Length: 2 minutes 9 seconds; size: 2.47 megabytes.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

John Philip Sousa's Suite from The American Maid: "Dream Picture-Bivouac" performed by the United States Marine Band. Performed January 6, 2013 in Center for the Arts Concert Hall at George Mason University. Colonel Michael J. Colburn, conducting.

Recording of Scott Joplin's Maple Leaf Rag

String quartet arrangement of Evening Prayer ("Abendsegen"), from Hänsel und Gretel, act II, scene 2 by Engelbert Humperdinck

Movement III of "The Planets" by Gustav Holst, Mercury, the Winged Messenger. Performed by the U.S. Air Force Heritage of America Band in a transcription by Merlin Patterson, edited by Capt. Lang and MSgt Aldo Forte for their 1998 C.D. FrontiersFrançais : Troisième mouvement des Planètes, Mercure, le messager ailé, composé par Gustav Holst. Performance du US Air Force Heritage of America Band selon une transcription de Merlin Patterson, éditée par les Capt. Lang et MSgt Aldo Forte lors de la publication en 1998 de leur CD Frontiers. (Durée : 4 m 23 s)

Wachet auf, ruft uns die Stimme ("Awake, calls the voice to us" or "Sleepers, Wake"), BWV 140, performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 5 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

Johann Sebastian Bach (disputed) > Toccata et Fugue en ré mineur BWV565 - œuvre pour orgue. An audio meta_data recording Image:Metadata_BWV565_Attribution.ogg exists for this recording

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

Українська: Шуберт. Експромт №3 op,90 (запис з концерту в Миронівці, 2 грудня 2016) Schubert Gb Impromptu #3 op.90 (live recording from Myronivka in 2016)

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

MIDI file of 'Valse Lente' 1930 by Luois Lavater 1867-1953

Mozart's Serenade No. 10 in B-flat major ("Grand Partita") VII. Finale. Molto Allegro performed by "The President's Own" United States Marine Band. Broadcast on May 20, 2021, from Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, as part of the Marine Band's 2021 Virtual Showcase Concert Season.

1st release date: January 1939 1st recording date: 3/4 November 1938 Composer: Wolfgang Amadeus Mozart (1756-1791) Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Work: Piano Concerto No. 25 in C major, K. 503 Content: 2nd Movement: Andante

Aria from Aida sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Romance, mélodie composée en 1883 par Claude Debussy (1862-1918) sur un poème de Paul Bourget (1852-1935), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Romance, a melody composed in 1883 by Claude Debussy (1862-1918), text by Paul Bourget (1852-1935), performed in 1913 by Nellie Melba (1861-1931).

1st release date: January 1939 1st recording date: 3/4 November 1938 Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Work: Piano Concerto No. 25 in C major, K. 503 Content: 1st Movement: Allegro maestoso

Work: Piano Concerto No. 25 in C major, K. 503 1st release date: January 1939 1st recording date: 3/4 November 1938 Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Content: 1st Movement: Allegro maestoso (Conclusion)

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.